Natural Styles in Japan Architecture Late in 20^th and Early 21^st Centuries

The paper presents the history and development of Japan architecture of late in the 20^th and early 21^st centuries. Creative concepts of the fourth generation of Japanese architects are considered including T. Ito, T. Ando and K. Kuma. Architectural styles used by these architects are described (Japanese version of Organic-Tech and minimalism, blurring of architecture). The statements of these writers reveal the conceptual essence of their projects. And fragments of philosophical and aesthetic doctrines (Sabi, wabi, Yugen, etc.), which, apparently, form the basis of these concepts are also given in this paper. Further research will involve more detail studies of Japanese philosophical teachings dedicated to the interaction of man and nature, the work by Arata Isozaki and other Japanese architects who have made a significant contribution to the development of natural styles in modern architecture.

современная архитектура Японии, философские концепции взаимодействия человека и природы, традиционные категории японской эстетики, четвертое поколение архитекторов, органи-тек, Тойо Ито, минимализм, Тадао Андо, «стирание архитектуры», Кенго Кума, Japanese modern architecture, man and nature harmonious interaction, Japanese aesthetics, fourth generation of architects, Organic-Tech, Toyo Ito, minimalism, Tadao Ando, blurring of architecture, Kengo Kuma

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