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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">vestniktgasu</journal-id><journal-title-group><journal-title xml:lang="ru">Вестник Томского государственного архитектурно-строительного университета</journal-title><trans-title-group xml:lang="en"><trans-title>Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">1607-1859</issn><issn pub-type="epub">2310-0044</issn><publisher><publisher-name>Tomsk State University of Architecture and Building</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.31675/1607-1859-2019-21-2-76-88</article-id><article-id custom-type="elpub" pub-id-type="custom">vestniktgasu-542</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>АРХИТЕКТУРА И ГРАДОСТРОИТЕЛЬСТВО</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>ARCHITECTURE AND URBAN PLANNING</subject></subj-group></article-categories><title-group><article-title>АРБОРСКУЛЬПТУРА КАК НОВЫЙ ФОРМАТ АРТ-ОБЪЕКТОВ В САДОВО-ПАРКОВОМ ИСКУССТВЕ</article-title><trans-title-group xml:lang="en"><trans-title>ARBORSCULPTURE AS A NEW FORMAT OF ART OBJECTS IN LANDSCAPE GARDENING</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Смолина</surname><given-names>О. О.</given-names></name><name name-style="western" xml:lang="en"><surname>Smolina</surname><given-names>O. O.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Смолина Олеся Олеговна, канд. архитектуры, доцент</p><p>630008, г. Новосибирск, ул. Ленинградская, 113</p></bio><bio xml:lang="en"><p>Olesya O. Smolina, PhD, A/Professor</p><p>113, Leningradskaya Str., 630008, Novosibirsk</p></bio><email xlink:type="simple">zelenoest-vo@mail.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Новосибирский государственный архитектурно-строительный университет</institution><country>Россия</country></aff><aff xml:lang="en"><institution>Novosibirsk State University of Architecture and Civil Engineering</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2019</year></pub-date><pub-date pub-type="epub"><day>29</day><month>04</month><year>2019</year></pub-date><volume>0</volume><issue>2</issue><fpage>76</fpage><lpage>88</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Смолина О.О., 2019</copyright-statement><copyright-year>2019</copyright-year><copyright-holder xml:lang="ru">Смолина О.О.</copyright-holder><copyright-holder xml:lang="en">Smolina O.O.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://vestnik.tsuab.ru/jour/article/view/542">https://vestnik.tsuab.ru/jour/article/view/542</self-uri><abstract><p>На сегодняшний день для решения комплексной проблемы экологического кризиса городов создаются новые условия интегрирования природной среды в архитектуру, расширяется арсенал средств для повышения качества и репрезентативности городских ландшафтов. Наибольший практический интерес представляет искусство арборскульптуры, которое в России еще недостаточно развито. Это делает актуальной задачу изучения данных видов объектов.Цель работы: рассмотрение типологических особенностей арборскульптурных объектов открытых пространств в России и за рубежом в категории практического использования: «скульптура» (городская скульптура и сакральные объекты).Новизна исследования заключается в новом виденье скульптуры как бионических арт-объектов современного мира, а также в предложенной типологии арборскульптурных объектов, разработанной на основе базовых геометрических форм, заложенных в древесной структуре растений.Применены методы: типологический анализ и семантическая апробация арборскульптурных объектов, систематизация и структуризация данных исследования.Определены и апробированы типологические особенности выявленных арборскульптурных объектов в России и за рубежом по двум типологическим категориям: «геометрия базового примитива» (подкатегорий «одиночные», «составные», подтипов «круговые», «арочные», «прямоугольные»), «полиметрическая структура» (подкатегорий «идентифицированные», подтипов «формы человека», «цифровой код», «пространственная интерпретация форм искусства») и «символьно-абстрактные»). Выявлен ряд аспектов, которые необходимо учитывать при формировании данных видов объектов в общественных пространствах городов мира.Практическое внедрение объектов арборскульптуры в городской ландшафт будет способствовать трансформации депрессивных территорий, обновлению облика культурно-досуговой инфраструктуры города согласно потребностям современных горожан.</p></abstract><trans-abstract xml:lang="en"><p>The problems of the ecological crisis in cities, new conditions of the natural environment integration into architecture appear today, and the quality improvement and representativeness of urban landscapes expand. Arborsculpture is of great practical interest which is still insufficiently developed in Russia. Purpose: The aim of this work is to consider typological characteristics of arborsculpture objects in Russia and abroad, including city sculptures and sacral objects. Novelty: A new vision of sculpture as bionic art objects of the modern world. The typology is proposed for arborsculpture objects based on geometric shaping embedded in the structure of plants. Methods: Typological analysis and semantic testing of arborsculpture objects, systematization and structuring of research data. Results: Two categories typology of the identified arborsculpture objects in Russia and abroad is determined and tested: basic primitive geometry (subcategories "single", "composite", subtypes "circular (vertical and horizontal plane)", "arched", "rectangular"), polymetric structure (subcategories "identified" (subtypes "human forms", "digital code", "spatial interpretation of art forms"), and "symbolic-abstract"). A number of aspects are identified for the formation of these types of objects in the public spaces of the world's cities. Practical implications: The implementation of arborsculpture objects in urban landscape will contribute to the change of depressive areas and the cultural and leisure infrastructure for the needs of citizens.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>искусство арборскульптуры</kwd><kwd>скульптура</kwd><kwd>арт-объекты</kwd><kwd>компоненты природы</kwd><kwd>элементы благоустройства</kwd></kwd-group><kwd-group xml:lang="en"><kwd>arborsculpture</kwd><kwd>sculpture</kwd><kwd>art objects</kwd><kwd>nature components</kwd><kwd>improvement</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Витюк Е.Ю. Городская среда как арт-объект. Условия доступа : https://cyberleninka.ru/ article/n/gorodskaya-sreda-kak-art-obekt (дата обращения: 21.07.2018).</mixed-citation><mixed-citation xml:lang="en">Vityuk E.Yu. 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